Inspired by a poem by Aleksey Tolstoy, Taneyev’s cantata John of Damascus was the first work that the self-critical Russian composer deemed worthy of an opus number, its sublime music drawing on an ancient sacred chant woven into rich passages of expressive counterpoint.
A quarter of a century later, the virtuosic and scintillating Suite de concert, Taneyev’s first work for solo violin and orchestra, was also successfully premièred.
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