Deutsche Radio Philharmonie
Pietari Inkinen
In 1884, Antonín Dvořák undertook his first concert tour to England. This was to become a highlight of his career to date and brought him international recognition and economic security. It was a time of private and professional bliss. It is interesting to note, however, that the Seventh Symphony by no means reflects a consistently pastoral, idyllic atmosphere. On the contrary, the music often has a dramatic and sombre effect. It is possible that Dvořák was coming to terms with the blows of fate he had suffered: he had lost his mother and three children. Four years after the premiere of the Seventh Symphony, Dvořák set to work on his Eighth, which differed substantially from it. In the Seventh, he still adhered to the form of the classical symphony according to Beethoven, but in the Eighth he gave preference to melody over form. It leads through the work, creating the impression of a “sequence of atmospheric poetic pictures”. Finnish conductor Pietari Inkinen has been chief conductor of the Deutsche Radio Philharmonie since 2017 and music director of the KBS Symphony Orchestra in Seoul since 2022. He has conducted many renowned orchestras, including the Pittsburgh Symphony, the Royal Concertgebouw Orchestra, the Gewandhausorchester Leipzig, the Accademia Nazionale di Santa Cecilia, the Orchestre Philharmonique de Radio France, the Los Angeles Philharmonic Orchestra and the Helsinki Philharmonic Orchestra.
Prominent woodwinds give this Seventh Symphony a more t han usually peaceable atmosphere, although brass and strings raise the emotional temperature at all the right moments.
In short this is cogent, commonsensical, sometimes thrilling music-making, lacking only a degree of serenity and specificity of colour.
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