The first digitally recorded Bartók quartet cycle, long unavailable: fierce, intelligent interpretations in superb sound that have stood the test of time compared to other classical interpretations in the storied discography of these works. The Lindsays' Bartók cycle, recorded by ASV in 1980/81, marked the culmination of a decade of intensive study and concert performances of the cycle, mostly in Hungary with eminent string players.

Reviewers found that the acoustics of Rosslyn Hill Chapel in north London provided an ideal complement to the Lindsays' research, recorded in studio conditions but retaining the risk/reward strategy of their live performances.

The charismatic leader of the quartet was Peter Cropper, who outlined the group's performance philosophy: "We did it because we loved it, and I think it came across. I'm not saying it was always flawless. Who wants perfection?" But where previous recordings by indigenous ensembles focused more on the spirit than the letter of the score, the Lindsays' attention to detail in this ASV cycle opened the curtain on a new era of interpretation for works that have evolved to reflect the spirit of the times - much like the restless mind of their creator. As Sir Michael Tippett remarked: "The Lindsays are indeed the best friend a composer can have".

The full timbral palette of Bartók's pizzicato glissando effects, magical harmonies and muted timbres is captured eloquently and elegantly in what was then an innovative technology.