JS Bach: Violin Concertos

The dynamic ensemble Brecon Baroque was founded in 2007 by violinist Rachel Podger as resident ensemble at her annual Brecon Baroque Festival. The international line-up consists of some of some of the leading lights in the period-instrument world, such as cellist Alison McGillivray, flautist Katie Bircher, oboist Alexandra Bellamy and violist Jane Rogers, as well as some of Rachel's “star” former students who now occupy leading positions in many of Europe's finest ensembles.

Brecon Baroque specializes in the music of J.S.Bach and his contemporaries, often as a one-to-a-part ensemble but also as a small Baroque orchestra. Over the last two years the ensemble has performed several of Bach's Cantatas for solo soprano with Elin Manahan Thomas and will do so again in 2011. Future recording plans include Bach's Art of Fugue and Telemann's great collection Tafelmusik.

'The opportunity to spend three intensive days recording four Bach concertos is an uplifting experience. Each piece encompasses a unique expressive world where discovering the real essence of every movement becomes a kind of obsession! The concertos in A minor and E major are old friends. I’ve grown up with them and I played them a lot when young. The other two, in G minor and A major, were very familiar (as harpsichord concertos or in various transcriptions) – relations I knew reasonably well but not such close friends. It has been a delight to explore these pieces and renew acquaintance, first hand.’ Rachel Podger

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  Building a Library

  November 2019

  Recommended Recording
• 
  Building a Library

  March 2020

  Recommended Recording

   

  30th November 2010

  This crack squad of first-rate period-instrument musicians gives lithe, polished and devoted performances that make a convincing case for a one-to-a-part "orchestra". Indeed, so full-bodied is the sound that you could be forgiven for not noticing the paucity of numbers – except the precision and freedom for manoeuvre is far greater than any chamber orchestra could achieve.

  Graham Rogers

  December 2010

  Podger delivers an infectious, dancing lead which rubs off on the small, top-quality band. The A minor jig has a breathless intensity as the players unanimously bend to the delirious rhythm...Podger's period-instrument rendering of these untiringly repeatable masterworks is among the best on disc, authentic or otherwise.

  5 out of 5 stars

  13th November 2010

  Exceptionally intimate and flexible performances from Rachel Podger

   

  17th October 2010

  In these lively, one-instrument-to-a-part performances, they [1056 and 1055] work well in this adaptation, and Podger’s lean, sinewy sound rises out of the ensemble shiningly.

  4 out of 5 stars

  22nd October 2010

  The music flows with a natural ease. She stays light and nimble, very much embedded in the ensemble. The delicacy of her dynamic shifts and decorative details is remarkable...But this above all is a community endeavour. Podger’s six supporting musicians play alongside with exquisite skill and freshness...and provide a thrilling kaleidoscope of colours.

  5 out of 5 stars

  The Independent on Sunday3rd October 2010

  Sunshine floods through this ensemble recording...The forces are small, just one player per part, yet Rachel Podger and Brecon Baroque think big...The E-major Concerto has spring, poise and wit, while the G-minor contrasts the langour of the Largo with a fizzing Presto.