Kellen Gray, Royal Scottish National Orchestra
Kellen Gray has reunited with the Royal Scottish National Orchestra for a second instalment of African American Voices. Though representing differing schools of thought regarding African American classical music, the composers here are united by their roots in black history, culture and its rich musical heritage. Drawing upon jazz and spirituals – ‘I Want Jesus to Walk with Me’ serving as the source material – Margaret Bonds’ Montgomery Variations engages with African American history, namely the Montgomery bus boycott and the 1963 Birmingham church bombing. In this work, re-discovered in 2017, Bonds tackles the themes of strength, resistance, determination and faith. Bonds’ contemporary, the prolific composer Ulysses Kay cultivated a neoclassical voice, as his Concerto for Orchestra exemplifies, very much in line with William Grant Still and his teacher Paul Hindemith. A versatile musician, Coleridge-Taylor Perkinson comes a generation later. In his Worship: A Concert Overture, we can hear a blend of Baroque counterpoint, elements of the blues, spirituals and black folk music.
Margaret Bonds (1913-1972) , Ulysses Simpson Kay (1917-1995) , Coleridge-Taylor Perkinson (1932-2004)
- Margaret Bonds: Montgomery Variations
+Ulysses Kay: Concerto for Orchestra
+Coleridge-Taylor Perkinson: Worship - A Concert Overture
Christmas 2023
Once more under the baton of Kellen Gray, the RSNO brings terrific warmth and verve to three appealing orchestral works that span the Harlem and Chicago Renaissance of the 1920s and 1930s and Coleridge-Taylor Perkinson’s stirring concert overture of 2001.