In the words of Richard Wagner, Beethoven's Seventh is a true "apotheosis of the dance". It has enjoyed perennial popularity ever since it's premiere, unlike his sole ballet, The Creatures of Prometheus, of which only the overture has remained (more or less) familiar to us. The musicians of the Freiburger Barockorchester, under the direction of their Konzertmeister Gottfried von der Goltz, offer a brillant new version of this key work in Beethoven's corpus while reviving the complete version of one of his most unjustly forgotten masterpieces.
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