Orgelbüchlein, Bwv 599-644 (with Choir)
Benjamin Alard, Ensemble Vocal Bergamasque, Marine Fribourg, Maîtrise Notre-Dame de Paris
With its forty-five chorale preludes, the Orgelbüchlein bears witness to a mastery of the art of improvisation on the organ, as the congregation heard it at the time before singing the hymn in its turn. It was a tempting experiment to revive this primary function: by collaborating with the combined forces of the Ensemble Vocal Bergamasque and the Maîtrise de Notre-Dame de Paris, Benjamin Alard gives the ‘little organ book’ its full significance and expressive power.
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