Sandrine Piau, Arlette Steyer, Les Arts Florissants, William
These ‘petites’ compositions of sacred music for several soloists and a small instrumental ensemble are in a certain sense the pendants to the grands motets of Versailles: Lully's successor excelled in both forms.
At the close of the ‘Grand Siècle’, De Lalande asserted himself as one of the truly great figures in French Baroque music.
Rameau’s music with French works that inspired him. Five of the six soloists of Les Arts Florissants admirably capture this programme’s many moods, from burlesque to melancholy.
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