Antonio Soler enjoyed high prestige at Spain’s royal palace, the Escorial, where his contributions to keyboard technique, harmonic innovation and his Spanish musical identity served to bridge the stylistic gap between the late Baroque and early Classicism. Soler’s innovations have often been overlooked but the intricate modulations and rhythmic vitality found in his sonatas offer compelling evidence of their importance. Sonatas Nos. 99–111 offer a wealth of entrancing features, which include sophisticated ornamentation, a synthesis of contrapuntal and Iberian folkloric traditions, and humorous cadences.
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