Kerstin Avemo, Patricia Bardon, Lawrence Zazzo, Kobie van Rensburg & Neal Davies
The Choir of Clare College & Freiburger Barockorchester, René Jacobs
René Jacobs follows the highly theatrical Saul, and ecstatic reviews for the neglected La Clemenza di Tito, with Messiah, in the 1750 version with two alto soloists.
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