How can our ears detect deviations from a norm whose codes are no longer ours? Geoffroy Jourdain and Les Cris de Paris explore the characteristic "strange harmonies" of the late Renaissance using the example of the microtonal pieces by Nicola Vicentino (who divides the octave into 31 tones in an allusion to the music of ancient Greece!) The composer Francesca Verunelli pays tribute to him with VicentinoOo by bringing his musical approach to life. Exciting!
Pomponio Nenna: Ecco o mia dolce pena+Hector della Mara: Misero che faro+Carlo Gesualdo: Io pur respiro; Moro, lasso, al mio duolo; S'io non miro, nnon moro+Michelangelo Rossi: O miserio d'amante; Per non mi dir ch'io moia; Moribondo mio pianto+Sigismondo d'India: Strana armonia d'amore; In cio sol differenti+Cipriano de Rore: Calami sonum ferentes+Francesca Verunelli: VicentinoOo I-V+Nicola Vicentino: Musica prisca caput; Madonna, il poco dolce+Scipiano Lacorcia: Ahi, ti piangi, mia vita
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