All of the pieces in this programme have a literary or artistic connection as the background to their creation. Heard here in their first version, the Consolations owe their title to a poem by Alphonse de Lamartine and include a melody that later became the first Hungarian Rhapsody. The meditative Sposalizio was inspired by a painting by Raphael, and the Ballade by Gottfried Bürger’s haunting ‘Lenore’. Victor Hugo’s Après une lecture de Dante is used powerfully by Liszt to express damnation and hope, and the first Mephisto Waltz derived from Lenau’s ‘Faust’ depicts a dance both sinister and amorous.

• Liszt: Album-Leaf 'Première Consolation', S171b
• Liszt: Années de pèlerinage, 2ème année, Italie (7 pieces), S. 161
• Liszt: Après une lecture du Dante, fantasia quasi sonata (Années de pèlerinage II, S. 161 No. 7)
• Liszt: Canzonetta del Salvator Rosa (Années de pèlerinage II, S. 161 No. 3)
• Liszt: Il penseroso (Années de pèlerinage II, S. 161 No. 2)
• Liszt: Sonetto 104 del Petrarca (Années de pèlerinage II, S. 161 No. 5)
• Liszt: Sonetto 123 del Petrarca (Années de pèlerinage II, S. 161 No. 6)
• Liszt: Sonetto 47 del Petrarca (Années de pèlerinage II, S. 161 No. 4)
• Liszt: Sposalizio (Années de pèlerinage II, S. 161 No. 1)
• Liszt: Après une lecture du Dante, fantasia quasi sonata, S. 158c
• Liszt: Ballade No. 2 (first version) S170a
• Liszt: Consolations (6), first series (6), S171a
• Liszt: Mephisto Waltz No. 1
• Liszt: Sposalizio, S. 157a