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Venice witnessed all the upheavals in music in the 17th century. It was a heyday in which both composition and instrument making developed further, with the rise of the violin and the recorder family, experiments with continuo without bass and without keyboard instruments and the golden age of the baroque trombone. "Ballade vénitienne", the first album by the ensemble Tumbleweeds under the direction of Claire-Ombeline Muhlmeyer, is a mirror of that period, with works by Castello (in which baroque trombone and violin compete), Grandi, Kapsberger, Marini as well as Uccellini and Frescobaldi, all of whom contributed to the Europe-wide influence of La Serenissima.
Marco Uccelini: Symphonias 13-15
+Dario Castello: Sonata quarti a due soprani
+Alessandro Grandi: O quam tu pulchra es
+Biagio Marini: Passacalio a 3 & a 4; Sonata quarta per il violino per sonar con due corde
+Johannes Hieronymus Kapsberger: Toccata seconda (Arpeggiata)
+Girolamo Frescobaldi: Canzon terza a due canti; Toccata decima
+Giovanni Legrenzi: La Spilimberga a due violini
+Maurizio Cazzati: Passacaglio; Ciacona a tre; Sonata duodecima
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