Friedrich Kuhlau is known as Beethoven’s strongest advocate in Denmark and the man who wrote Elverhøj. But Kuhlau was first and foremost a pianist, one whose works for the instrument have a depth and character of their own. In the first of a new series, Marie-Luise Bodendorff reassesses Kuhlau’s contribution to the piano literature with fresh, muscular performances of music including the previously unrecorded Divertissement, Op. 37.
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