Vivaldi wrote around forty cantatas in the so-called ‘Neapolitan’ style with alternating arias and recitatives. Some, such as All’ombra d’un bel faggio, are in an Arcadian setting, while others – including Allor che lo sguardo – take unrequited love as their theme. Whatever the context, Vivaldi’s inexhaustible reserves of expressive vocal writing, dance-like rhythms, and subtle weaving of instrumental and solo vocal lines are everywhere apparent. With text-setting of such refinement and delicacy, Vivaldi ensures that his music remains at all times balanced and elegant.
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