Mozart was indeed the first to compose with the Kegelstatt Trio for clarinet, viola and piano - an atypical combination for the time, which was intended for his friend Stadler, Franziska von Jacquin, his most eager pupil, and himself. But he was soon imitated by Schumann and Reinecke - and by Max Bruch, who wrote his Eight Pieces op. 83 in 1910. Like a kaleidoscope, he echoes rhapsodies, Romanian music, Brahms and even Mendelssohn in his miniatures, which are imbued with an intense and passionate lyricism. Patrick Messina, Lise Berthaud and Fabrizio Chiovetta bring the two works together.
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