Freiburger Barockorchester, Kristian Bezuidenhout (fortepiano)
From the youthful Concerto no.6 (1776) to the almost testamentary Concerto no.25 (1786), Mozart’s style underwent considerable evolution.
In ten years, the young prodigy gave way to a master fully aware that he was opening up new horizons for the genre.
With this fourth album in their series, Kristian Bezuidenhout and the Freiburger Barockorchester continue their exploration of a corpus visited so many times before; but with them, we have the impression we are rediscovering each note as if it were the first time.
this album – the fourth in a series from Bezuidenhout and the Freiburger Barockorchester – is brightly and engagingly played.
It’s a delight from start to finish.
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