Napoli!

Continuing her exploration of the cello repertoire, on Napoli!, Ophélie Gaillard takes listeners on a tour of baroque Naples. We meet emblematic figures such as virtuosos Fiorenza, Lanzetti and Francischello, the composers Durante and Leo, the Spanish Ortiz and the Madrid-born Corselli, and even, in the course of a sonata or a dance, Scaramouche, Harlequin and their comrades from the commedia dell'arte. The Neapolitan soul is revealed in all this richness: hybrid, sensual, contrasting, both theatrical and profoundly authentic. Alongside the Pulcinella Orchestra as well as Sandrine Piau, Marina Viotti and Luan Góes, Ophélie Gaillard's cello draws on it's many sources, from popular to lyrical, secular to sacred. Unpublished works by Porpora, Bonno and Barbella confirm that Naples has not finished giving up it's secrets.

• anon.: Tarentella 'La vallubrella'
• Alborea: Cello Sonata in D major
• Barbella, E: Sonata intitolata Arlecchino, Arlecchinessa, Rosetta e Pulcinella
• Bonno: Non turbar quand'io mi lagno (from L'isola disabitata)
• Corselli: Lamentación 2 del Jueves
• Durante, F: Concerto No. 2 in G minor
• Falconieri: Folias echa para mi Señora Doña Tarolilla de Carallenos
• Falconieri: La suave melodia
• Falconieri: Su Corrente
• Fiorenza: Cello Concerto in F major
• Leo: Cello Concerto in D minor, L60
• Matteis the Elder: Ayres for the Violin, Book I: Altra sarabanda
• Matteis the Elder: Ayres for the Violin, Book I: Giga
• Matteis the Elder: Ayres for the Violin, Book I: Preludio
• Matteis the Elder: Ayres for the Violin, Book I: Scaramuccia
• Ortiz, D: Recercada Ottava sobre la Folia
• Pergolesi: Se morrai per me (from Deianira, Iole ed Ercole)
• Pergolesi: Violin Concerto in B flat major: II. Largo
• Porpora: Fiero il ciel balena intorno (from Temistocle)
• Porpora: Tu, spietato, non farai (from Ifigenia in Aulide)
• Sarro: Saprò ben con tanto piangere (from San Ermenegildo)
• Scarlatti, A: Cello Sonata No. 1 in D minor