For her first solo recital on harmonia mundi, Christiane Karg, alongside her faithful partner Malcolm Martineau, presents an incursion into the most intimate aspect of Mahler’s music: the songs from Des Knaben Wunderhorn take us to the heart of the composer’s creative process, as do the songs from his youth and the later Rückert-Lieder.
Two of these pieces (including the famous Das himmlische Leben from Symphony no.4) are accompanied by… Mahler himself, thanks to the achievement of the incredible Welte-Mignon piano rolls which, at the very start of the Twentieth Century, captured his playing far better than any other recording device of the period could.
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