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Richard Strauss: Fragments from Salome; Dance of the 7 Veils from "Salome"; Love Scene from "Ein Heldenleben"; Love Scene from "Feuersnot"; Stimmungsbilder op. 9 no. 3 & 4 (recordings 1906)
Engelbert Humperdinck: In the evening I want to go to sleep from "Hansel & Gretel" (recordings 1906)
Eugen d'Albert: Spanish Dance Song from "Tiefland"; Scherzo from "Four Piano Pieces" op. 16; Gavotte & Musette from the Suite for Piano op. 1 (recordings 1912)
Erich Wolfgang Korngold: Passacaglia from the Piano Sonata op. 1; Improvisation from "Die tote Stadt"; Improvisation from "Die Kathrin" (recordings 1951)
Johannes Brahms: Hungarian Dance (recording 1889)
Gustav Mahler: Lieder eines fahrenden Gesellen No. 2; Ich ging mit Lust durch einen grünen Wald from "Lieder und Gesänge aus der Jugendzeit"; 4th movement from Symphony No. 4; Trauermarsch from Symphony No. 5 (recordings 1905)
Max Reger: vivace assai from "Fünf Humoresken" op. 20; Aus meinem Tagebuch op. 82 vol. 1 no. 3, 5, 6, 10, 11; Intermezzo op. 45 no. 5 (recordings 1905)
Paul Hindemith: Toccata for the mechanical piano (recording 1926)
Eduard Erdmann: Foxtrot in C major (recording 1928)
Camille Saint-Saens: Improvisation from "Samson & Dalila"; excerpts from the first movement of the Piano Concerto op. 22; Valse mignonne op. 104; Marche militaire francaise from "Suite algerienne" op. 60; Rhapsodie d'Auvergne op. 73 (recordings from 1904-1919)
Gabriel Faure: Pavane op. 50 (recording from around 1914)
Claude Debussy: Children's Corner (excerpt); Estampes No. 2; La plus que lente; Preludes Heft 1 (excerpt) (recordings from around 1912)
Maurice Ravel: Sonatine (1st movement); Pavane pour une Infante defunte; Valses nobles et sentimentales (recordings 1912 & 1922)
Darius Milhaud: Movements 1 & 3 from "Saudades do Brazil" op. 67; 1st-3rd movement from "Scaramouche" op. 165b (recordings 1921 & 1938)
Igor Stravinsky: The Firebird (excerpt); Etude for Pianola; Piano Sonata (recordings 1917 & 1926)
Francis Poulenc: 3 Mouvements perpetuels; 1st-7th movement from "Suite francaise" (recordings 1936)
Olivier Messiaen: Amen du Desir & Amen de la Consommation from "Visions de l'Amen" (recordings around 1960)
Edvard Grieg: Lyric Pieces op. 43 no. 1 & 3; From Folk Life op. 19 no. 2 (recordings 1906)
Isaac Albeniz: Improvisations I & II (recordings from around 1903)
Enrique Granados: Andaluza from "Dancas espanolas" op. 37; Goyescas (excerpt) (recordings 1912)
Manuel de Falla: Cuatro piezas espanolas No. 1 & 2 (recordings 1912)
Fedrico Mompou: Canco i Danza III (recording 1974)
Ruggero Leoncavallo: Romance in A minor; Intermezzo from "The Bajazzo" (Recordings 1905)
Alfredo Casella: Berceuse trist op. 14; Barcarola op. 15; 3 Inezie (recordings around 1922 - around 1926)
Sergei Rachmaninoff: Morceaux de Fantaisie op. 3 no. 2; Polka de V. R:; Prelude op. 23 no. 5 & 10; Preludes op. 32 no. 3, 5, 6, 7, 10, 12; Moment musical op. 16 no. 2; Oriental Sketch (recordings from 1920-1940)
Alexander Scriabin: Etude op. 8 no. 12; Preludes op. 11 no. 2, 13, 14; Poemes op. 32 no. 1; Mazurka op. 40 no. 2; Morceau op. 57 no. 1 (recordings from 1913)
Sergei Lyapunov: Etude d'execution transcendente No. 12 (recording around 1910)
Nikolai Medtner:Vergessene Weisen op. 38 no. 3; Märchen op. 51 no. 5; Märchen op. 26 no. 3 (recordings 1930-1947)
Sergei Prokofiev: Piece for piano op. 4 no. 4; Gavotte from the Symphonie classique op. 25; Visions fugitives op. 22 no. 9, 3, 17, 18, 11, 10, 16, 6, 5; March from "The Love for Three Oranges"; Prelude in C major op. 12 no. 7; Sarcasms op. 17 no. 1 & 2; Toccata op. 11 (recordings around 1920 & 1935)
Dmitri Shostakovich: 2nd & 3rd movement from Symphony No. 10 for piano 4 hands (with Mieczyslaw Weinberg); Concertino for 2 pianos op. 94 (with Maxim Shostakovich); Preludes & Fugues op. 87 No. 3 & 24 (recordings 1951-1956)
Rodion Shchedrin: 24 Preludes & Fugues for Piano No. 2 & 3 (recordings 1966)
Ernst von Dohnanyi: Piano Piece op. 2 no. 4; Ruralia hungarica op. 32a no. 6; Piano Pieces op. 41 no. 3-5; Piano Piece op. 44 no. 1 (recordings 1905 & 1956)
Bela Bartok: Sonatina; Romanian Folk Dances Nos. 1-6; Allegro barbaro; Suite op. 14; 1st movement from the Sonata for 2 Pianos & Percussion (with Ditta Bartok-Pasztory, Harry J. Baker & Edward J. Rubsan); Improvisations op. 20 Nos. 1, 2, 6-8 (recordings 1920 & 1929)
Pablo de Sarasate: Zigeunerweisen op. 20 (recording around 1928)
Dinu Lipatti: 3rd movement from the Sonatina for the left hand (recording after 1946)
John Ireland: Amberly Wild Brooks (recording 1921)
Cyril Scott: Country op. 47 No. 1; Symphonic Dance No. 1 (with Percy Grainger) (recordings 1909 & c. 1922)
Percy Grainger: Country Gardens; Molly on the Shore; The Warriors; Turkey in the Straw;The Gum-suckers March from Suite No. 4 (recordings 1919-1927)
Charles Ives: Largo from Symphony No. 1; Study No. 11; 3rd movement from Piano Sonata No. 2 (recordings 1935-1943)
George Gershwin: Rhapsody in Blue; 3 Preludes; Sweet and low; That Certain Feeling; My One and Only (recordings 1925-1928)
Aaron Copland: Danzon Cubano (with Leo Smit) A8recording 1947)
Leonard Bernstein: Seven Anniversaries No. 1, 6,7 (Recordings 1943)
Ignaz Paderewski: Humoresques de Concert op. 14 no. 1, 3, 6; Miscellanea op. 16 no. 4 (recordings 1911-1921)
Theodor Leschetitzky: The Two Larks op. 2 no. 1 (recording 1906)
Alfred Grünfeld: Serenade op. 32; Mazurka a la Viennoise op. 51; Hungarian Fantasy op. 55 (recordings 1905)
Xaver Scharwenka: Polish Dance op. 3 No. 1 (recording 1905)
Cecile Chaminade: Air de Ballet op. 30; Courante op. 95 no. 3; L'Enjoleuse op. 50; Pierrette op. 41 (recordings 1901)
Raoul Laparra: Spanish Rhythms No. 2, 4,6 (recording 1916)
Georg Liebling: Barcarola (recording 1921)
Vladimir Horowitz: Moment exotique (recording 1926)
Bach / Busoni: Chaconne in D minor from Partita No. 2 BWV 1004 (recording 1914)

Reviews

FonoForum 07/10: ""Creators" is the name of the and provided with an equally detailed and informative booklet booklet as detailed as it is informative, and comprises ten CDs and comprises ten CDs by such diverse sound creators as Richard Strauss, Charles Ives and Ignaz Paderewski, all of whom all of whom make their pianistic voices heard here diverse as the program of the compilation is the type and And production method of the original recordings, in which the the Edison phonograph mentioned at the beginning, the Shellac record, but also the then revolutionary Welte-Mignon reproduction piano played an important role digitized retrospectively and prepared as far as possible for for today's listening habits, the collection offers an Collection offers an encounter with virtuoso keyboard lions a la Camille Saint-Saens, a somewhat wooden performance of his "Pavane pour une Infante defunte" by Ravel or a swinging George swinging George Gershwin, who made a name for himself in 1927 with an 1927 with an exemplary version of his "Rhapsody In Blue" To the record-listening public in 1927."