Tim Mead (countertenor)

Les Musiciens de Saint-Julien, François Lazarevitch (flute/director)

Les Musiciens de Saint-Julien, guided by François Lazarevitch’s virtuoso flute, have already led us along the roads of Ireland and Scotland, notably the High Road to Kilkenny, a great success in 2016. This time, they venture into England with an essentially secular programme devoted to Henry Purcell (1659-95), varying the mood by alternating between instrumental dances and songs performed by the English countertenor Tim Mead, including ‘O Solitude’ and ‘What power art thou’. While Les Musiciens de Saint-Julien have chosen these celebrated pieces for pleasure above all, with this English programme they also fill in a new piece in their jigsaw map of the United Kingdom. At the same time, they demonstrate the musical porosity of Ireland, Scotland and England – and the atypical colors of the small string ensemble complemented by two flutes, a harp and harpsichord/lute continuo further underline the fact. The common thread, dear to Les Musiciens de Saint-Julien, is that of folk music lying at the heart of art music, in a mixture of origins, practices and repertories. We can easily recognize ‘Scotch and Irish tunes’ that Purcell incorporates in his overtures, jigs, hornpipes and chaconnes. The countertenor Tim Mead punctuates the dances with songs composed for the operatic or dramatic stage or for chamber performance.

• Minuet - Hornpipe - Boree; Strike the Viol, Touche the Lute; O Solitude, My Sweetest Choice; Pavan g-moll; Here the Deities Approve; Hornpipe; May Her Blest Example Chase - Jig - Borry; Fairest Isle; What Power Art Thou; Aire; Twas Within a Furlong of Edinboro' Town; Scotch Tune; Here Let My Life With As Much Silence Slide; Fantazia Upon a Ground; 'Tis Nature's Voice; March; Curtain Tune; Song Tune; Once Charming Night; Chaconne