After his stay in Köthen, Benjamin Alard's musical journey through Bach's oeuvre continues. He is now interested in the composer's early period in Leipzig, where the six trio sonatas were written, which Alard interprets on the harpsichord and various clavichords. With the famous little book of music for Anna Magdalena, he allows us to enter the very personal, domestic sphere of the cantor.

Triosonaten BWV 525-530; Notenbüchlein für Anna Magdalena Bach (Johann Sebastian Bach: Suiten BWV 812 & 813; Partiten BWV 827 & 830; Choräle BWV 299, 510, 513, 514, 517, 691; Rezitativ & Arie BWV 82 "Ich habe genug...Schlummert ein"; Arien BWV 509, 515a, 516, 518; Menuette BWV Anh. 113, 116, 118, 120, 121, 132; Rondeau BWV Anh. 183; Aria aus Goldberg-Variationen BWV 988; Präludium C-Dur BWV 846 aus WTK I; Polonaisen BWV Anh. 117a, 117b, 119, 128; Musette BWV Anh. 126 / Christian Petzold: Menuette BWV Anh. 114 & 115 / Carl Philipp Emanuel Bach: Märsche BWV Anh. 122, 124, 127; Polonaisen BWV Anh. 123 & 125; Solo per il Cembalo BWV Anh. 129 / Gottfried Heinrich Stölzel: Aria "Bist du bei mir" BWV 508 / Georg Böhm: Menuett fait par Mons. Böhm / Bernhard Dietrich Ludewig: Marsch BWV Anh. 131 / Johann Adlph Hasse: Polonaise BWV Anh. 130)