Piero Pretti (Gustavo III), Anna Pirozzi (Amelia), Amartuvshin Enkhbat (Anckastrom), Anna Maria Chiuri (Madame Arvidson), Giuliana Gianfaldoni (Oscar)
Filarmonia Arturo Toscanini, Roberto Abbado, Jacopo Spirei On A Project By Graham Vick
The composition of Un ballo in Maschera caused Verdi many problems. What began as an opera called Gustavo III was subject to censorship by the Neapolitan and Roman authorities, so its libretto, location and title all changed. The subject, however, is still the murder of Riccardo (Gustavo) at the masked ball, couched in a musical language in which the seriousness of Italian opera is infused with French vivacity. The opera’s structure is carefully symmetrical in the great terzets, and the themes of duty, pleasure, drama and humour are rendered with masterful clarity.
Ακαδημίας 57, Αθήνα
ΤΚ 106 79
T. +30 210 3626137 - εσωτ.1
E. [email protected]