Sophie Karthäuser, Lucile Richardot, Les Arts Florissants, Paul Agnew
A puzzling paradox: although Vivaldi devoted over 30 years to composing for the Ospedale della Pietà in Venice, no complete musical setting of any liturgy by him has come down to us. By intercalating existing examples of his sacred music (such as the famous Gloria) and other works given a different text to suit their new liturgical function (Sanctus and Agnus Dei), the ensemble Les Arts Florissants now offers us a compelling reconstruction of a solemn Mass which the ‘Red-Haired Priest’ might have written... for just such an assembly of exceptional soloists!
The whole is expressively shaped by Paul Agnew, whose supple moulding of the musical lines and vivid contrasts of tempos serve, above all, to highlight the words...In sum, a creative idea that sheds new light on some old favourites.
This is richly enjoyable Vivaldi throughout, and for the Gloria may even be a top choice.
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