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Philippe Bianconi offers from these late but essential pages a clear and limpid reading, served by a remarkable energy. Beyond their formidable technical challenge, even experimental, the Etudes - dedicated to Chopin, whom Debussy revered - reveal themselves under his fingers, poetry, rhythm and colour.
As a complement to the programme, the two final pieces of his work, as well as those of the suite from the Martyrdom of Saint Sebastian, show a different face of Debussy, spiritual, stripped and poignant.
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