Built around the young soprano Katherine Watson and suggested by the conductor and flutist Alexis Kossenko, supported by the Centre de Musique Baroque de Versailles, this operatic program revives the splendor of Versailles.

Blending operatic airs and instrumental pieces, this baroque collection offers a selection of the major works of the Sun King’s court, from André Campra to Marin Marais, but rediscovers as well several long-forgotten works from this period, as Louis de Lully’s opera Orphée.

It also allows us to glimpse into the dramatic power of the rôles tendres, that mostly suit to women in love, leading roles of the tragédie lyrique, and for which Katherine Watson proves to be the ideal interpreter. The smoothness of her timbre and the clarity of the orchestra, under Alexis Kossenko’s sure direction, reveal all the treasures of these French airs that explore the depths of the human soul.

Often exposed to torments, victims of the avarice of the gods, suffering from love and cruelty, the heroines of the tragédie lyrique nevertheless embody tragic beauty and majesty.

• Campra: Coulez, ruisseaux; dans votre cours… (from Idoménée)
• Campra: Espoir des malheureux (from Idoménée)
• Campra: Idoménée: Chaconne
• Campra: Mes yeux, fermez-vous à jamais from Carnaval de Venise
• Campra: Quelle épaisse vapeur tout à coup m'environne ? (from Télèphe)
• Campra: Télèphe
• Lully: Deh, piangete (from Psyché)
• Lully: Marche pour la cérémonie des Turcs
• Marais, M: Alcyone: Ouverture
• Marais, M: Ariane et Bacchus
• Marais, M: Ariane et Bacchus: Rondeau
• Marais, M: Deuxième Air des Matelots (from Alcyone)
• Marais, M: Marche pour les Matelots (from Alcyone)
• Monteclair: Mais, tout parle d'amour
• Stuck: C'en est donc fait, le roi n'a plus de fils… (from Polydore)
• Stuck: Non sempre guerriero… (from Thétis et Pélée)