Performers such as Artur Schnabel, Wilhelm Kempff, Alfred Brendel ... today Murray Perahia, have proposed highly legitimate readings of these sonatas, a form that hindered the irresistible need for freedom of Schubert who invented for himself fantasy, impromptu, Klavierstück and musical moment, the ideal layout. With Richter, the peremptory brevity of contrasts, an impression of true harmonic freedom in the andante and adagios, make the quadripartite frame disappear, revealing the spiritual importance of the minuet replacing the traditional scherzo at the end of 1826. Yes, a Russian pianist plays 'Viennese' music.
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