Marianne Croux, Jean-Sébastien Bou (soloist), Jean-François Borras (soloist), Amina Edris (soloist), Kate Aldrich (soloist), Yoann Dubruque (soloist), Judith van Wanroij (soloist), Philippe Estèphe (soloist), Julie Robard-Gendre (soloist)
Chor des Bayerischen Rundfunks, Munich Radio Orchestra, Laurent Campellone
'It would be difficult to find a simpler and more poignant subject', Massenet remarked during the composition of Ariane, a vast score in five acts premiered at the Paris Opera in October 1906. The libretto by Catulle Mendes is part ancient drama, part symbolist poem, and sets Phaedra and Ariadne, two sisters in love with Theseus, in violent conflict with each other. This epic work does not shrink from relating the combat against the Minotaur, from showing a ship tossed by the raging billows, nor even from transporting the audience to the Underworld where Persephone reigns. Despite its flamboyant orchestration, its grandiose scenography and its triumphant premiere, Ariane remains one of the few Massenet operas never recorded until now. The young Egyptian soprano Amina Edris takes the title role with ardour and passion, surrounded by a cast well versed in the specificities of the French style. The Bavarian Radio Chorus provides dedicated support in the epic scenes, under the baton of Laurent Campellone, a great champion of Massenet.
November 2023
Campellone undoubtedly believes in Massenet ’s score, coaxing f ine playing from the Munich Radio Orchestra, particularly the woodwinds. It is unmistakably Massenet, replete with rich orchestral colour and headily perfumed eroticism...Amina Edris as Ariane truly magics the ear and Jean-François Borras’s Théseé is tough and tor tured and a properly French tenor.