After his epic recordings of piano works by Alkan, Lyapunov and Liszt, Vincenzo Maltempo immerses himself into the cosmic and metaphysical world of the Piano Sonatas by Alexander Scriabin. His superhuman technique and hyper sensitive musical intuition bring out the hidden depths of beauty and terror in these individualistic master pieces. A fascinating journey, from the romantic, Chopin-inspired Sonatas 1-4, towards the later sonatas, written in the unique “Scriabinesque” atonal language, inspired by his theosophical ideas, and megalomaniac metaphysics.

Maltempo, one of the most interesting pianists of the young generation, made his name in his staggering recordings of unjustly forgotten romantic repertoire: Transcendental Studies by Lyapunov (Piano Classics PCL0124) received 5 stars in several classical magazines (a.o. the French Diapason). His recording of Liszt’s Hungarian Rhapsodies received rave reviews, a Gramophone Editor’s Choice: “extraordinary breadth and nobility..little short of perfection..”, “9/9, close to ideal” (Jed Distler Classicstoday.com). His recordings of Alkan have “confirmed his place in the restricted circle of Alkan’s best performers, 5 stars”(Diapason), “Exhilarating, thrillingly demonic, 5 Stars” (Andrew Clement in The Guardian.