Beethoven: Bagatelles (6), Op. 126

Mozart: Rondo in A minor, K511

Schubert: Piano Sonata No. 18 in G major, D894

These intersecting tales from Vienna, so close in time and space, could only have been born on the banks of a great river that diffused the new blood of Europe. Vienna was ablaze with brilliance in 1800. Some have seen it as the dress rehearsal of the century to come.
Born in Magdeburg on 16 December 1923, Menahem Pressler fled Nazi Germany in 1938. It was in Israel, where he was raised, that he received most of his training, with the pianists Eliahu Rudiakov and Leo Kestenberg, a pupil of Ferruccio Busoni, followed by lessons with Eduard Steuermann, also a Busoni disciple, in the United States. His musical learning and his profound knowledge of the piano and chamber music have earned him an undisputed reputation.
Menahem Pressler’s international fame began to develop after he won first prize at the Debussy Piano Competition in San Francisco in 1946, immediately followed by his American debut with the Philadelphia Orchestra under the direction of Eugene Ormandy. In 1955, the Berkshire Music Festival witnessed the debut of the Beaux Arts Trio, which was to become a legendary group, acclaimed all over the world for 53 years.
He gives masterclasses in Germany, France, Canada, Argentina, and Brazil, and is a jury member at the Santander, Van Cliburn, and Queen Elisabeth competitions. In 1998 he received a Lifetime Achievement Award from Gramophone magazine and an Ehrenurkunde award from German music critics to mark 40 years spent in the service of music. In May 2000 he was elected to the American Academy of Arts and Sciences. Recently, the French government decorated him with the rank of Commandeur in the Ordre des Arts et Lettres, while the German government awarded him the Deutsches Bundesverdienstkreuz in recognition of his entire career and conferred German citizenship on him in September 2012.

“Pressler still teaches, and at the age of 89 recently resumed his solo career...He still has so much to offer, as this disc richly demonstrates...The Mozart Rondo in A minor, dark with chromaticism and difficulty also hints at joy, while the Beethoven Bagatelles Op 126 sparkle with bold, eccentric adventure and wisdom.” The Observer