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Composers
- Bach, Johann Sebastian (1685–1750)
Works
- Bach, J S: Chorale Prelude BWV633 'Liebster Jesu, wir sind hier'
- Bach, J S: Chorale Prelude BWV642 'Wer nur den lieben Gott lässt walten'
- Bach, J S: Chorale Prelude BWV727 'Herzlich tut mich verlangen'
- Bach, J S: Chorale Prelude BWV729 'In dulci jubilo'
- Bach, J S: Chorale Prelude BWV745 'Aus der Tiefe rufe ich'
- Bach, J S: Fantasia super 'Christ lag in Todesbanden', BWV695
- Bach, J S: Fuga sopra 'Vom Himmel hoch, da komm ich her', BWV700
- Bach, J S: Pastorale in F major, BWV590
- Bach, J S: Toccata & Fugue in E major, BWV566
- Bach, J S: Toccata, Adagio & Fugue in C major, BWV564
Firma Melodiya presents an album of organ music by J.S. Bach performed by the patriarch of Russian organists Harry Grodberg.
The name of Harry Grodberg is dear to many generations of Russian listeners. In this country, Grodberg has become a symbol of organ art. After several decades of intensive concert activities (his first performance took place in 1955), Grodberg’s art still keeps its freshness, ingenuousness and virtuosic performing technique. His performances continue to delight listeners and leading music critics in Russia and Europe.
Harry Grodberg has initiated building of dozens of concert organs in Russia and the former USSR and thus expanded the space for organ music in this country. His repertoire includes music of three centuries while Bach’s works remain the major constant of the organist’s performances.
“I bow down before the Bach’s genius – his art of polyphony, mastery of rhythmic expression, wild creative imagination, inspired improvisation and precise calculation, a combination of the power of mind and the power of feelings in each work,” Grodberg said.
The album features seven chorale preludes, two monumental Toccatas and Fugues (BWV 564 and BWV566) and organ Pastorale in F major (BWV 590), a chamber masterpiece in its way in organ music.
The recordings were made in the 1970–1980’s on the organs of the Big Hall of the Moscow Conservatory and the Big Hall of the St. Petersburg (Leningrad) Philharmonic Society.
December 2014
Recorded in two concert halls wreathed in a somewhat forensic acoustic, this survey of 'Iron Curtain' Bach emerges as regimented and well-drilled as a Moscow May Day parade.