Born in Venice around 1652, Marc’Antonio Ziani was an eminentoperatic composer who, at the zenith of his career, moved to servethe Habsburgs in Vienna, where he was to die in 1715. Damiraplacata is the second of his operas and its plot centres on Damira,a queen in ancient Egypt, and her struggles to win back the love ofKing Creonte. Conceived for the puppet theatre, the singers andinstrumentalists were hidden from sight to heighten the illusion.It is a quintessential Venetian opera – declamation melts intoeloquent musical gestures, recitatives are full of pathos, arias haveconstant rhythm, and the central characters are strongly defined.
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