The harpsichord, which was originally located in the Baroque period, experienced a new heyday in the first three decades of the 20th century and inspired the compositions of the time: Justin Taylor has created the program of his new album around four important 20th century concertos (Falla, Poulenc, Françaix, Górecki), which are linked by pieces for solo harpsichord: Bartók, who in his preface to Mikrokosmos - from which this Hommage à Bach is taken - suggests playing certain pieces on the harpsichord, Martinů and a new work by Stéphane Gassot as a reference to Ligeti. The album ends with a tribute to Scott Joplin and his famous ragtimes. Justin Taylor, who always shows great attention and passion for the instruments, has recorded the entire program on a single instrument. He chose a harpsichord built in the 1970s by Anthony Sidey, which is a hybrid model between the Pleyel instruments and the historical harpsichord and "offers a wide and highly variable color palette". With this album, he follows in the footsteps of Wanda Landowska and Elisabeth Chojnacka, who have promoted the harpsichord in all its modernity.

Bela Bartok: Hommage a J. S.B. aus Mikrokosmos
+Jean Francaix: Konzert für Cembalo & Instrumentalensemble
+Stephane Gassot: Bluesinuum
+Henryk Gorecki: Cembalokonzert op. 40
+Francis Poulenc: Concert champetre für Cembalo & Orchester
+Bohuslav Martinu: Impromptu für Cembalo Nr. 2
+Manuel de Falla: Konzert für Cembalo, Flöte, Oboe, Klarinette, Violine, Cello
+Scott Joplin: Maple Leaf Rag