A generation separated them, yet they were contemporaries. Their respective oeuvres, highly personal though they are, were in tune with the times. At the turn of the twentieth century, the last vestiges of Romanticism began to unravel, leaving both men’s compositions, perhaps not yet with their own unique form of modernity, but entirely in their own authentic styles. Did Gabriel Fauré and Karol Szymanowski ever meet? Although there is no documentary evidence they did, Eva Zavaro invites them to converse together here, juxtaposing their works for violin and piano. With Clément Lefebvre, she unveils the marvels they produced, pervaded by the theme of night.
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