A most unusual cabinet of curiosities: “Finding pleasure even in meditating on what causes one’s pain”: that neatly defines the theme of this album of music from the cusp of the Sixteenth and Seventeenth centuries. Here Italian and English madrigals rub shoulders with motets and Tenebrae responsories.
A melancholic poetry that provided endless nourishment for musical creativity in the late Renaissance and which Geoffroy Jourdain presents in his first recording for harmonia mundi.
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