Robin Johannsen (soprano), Marie-Claude Chappuis (mezzo), Helena Rasker (alto), Sebastian Kohlhepp (tenor), Christian Immler (bass-baritone)
Akademie für Alte Musik Berlin, RIAS Kammerchor, René Jacobs
A composition as brilliant as it is protean - the earliest sections date back to 1724, others were written in 1733 in the hope of obtaining a post in Dresden - the Mass in B minor occupied Bach until the end of his life.
The work, which is more ecumenical than strictly Catholic, offers a digest of his art at its expressive peak: a world in itself.
It is an understatement to say that the performers on this recording were eager to revisit it, following their acclaimed interpretations of the two Passions and the Christmas Oratorio.
July 2022
Readers familiar with Jacobs’s performances will not be disappointed by the graceful phrasing and light rhythmic pulse which characterise his approach to Bach’s music. His soloists are thoughtfully chosen and make considerable appeal.
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