A true masterpiece inspires musicians to adopt, adapt or transcribe it without losing any of its magnificence. The four baroque "cracks" of Nevermind, Anna Besson, Louis Creac'h, Robin Pharo and Jean Rondeau, have taken a creative look at Bach's famous Goldberg Variations and created their own stylishly sensitive "variations" of the work. As they themselves explain: "We only needed one informal rehearsal to realize the enormous potential of a transcription for our ensemble. There have been other arrangements, but no one has dared to try this one, and our instruments are typical in the chamber music of J. S. Bach. They appear in his many solo sonatas for flute, violin or viola da gamba with basso continuo and obbligato harpsichord, as well as frequently in the arias of his cantatas and passions.
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