The manuscripts of Tours and Deslauriers are true jewels of the 17th century and form a corpus of three hundred works that sprang from the fervor of the kingdom's provinces. This journey into the heart of French cathedrals reveals the impressive theatricality of sacred stories, ranging from fascinating anonymous pieces to strokes of genius by Bouzignac and Moulinié. Under the direction of Fabien Armengaud, the Pages and Chantres of the Centre de musique baroque de Versailles let these scores blossom into a musical pleasure garden.
Anonymus: Cantate Domino O Turonenses; Fasciculus mirrhae; Quasi cedrus exaltata sum; Surge aquilo; Quam pulchra es; Vulnerasti cor meum; Surge amica mea; Tota pulchra es; Te decet laus; Tristis est anima mea; Impetum fecerunt; Beati mortui; Ecce homo; In pace in idipsum; Ha plange filia Jerusalem; Alma redemptoris mater; Regina caeli laetare; Tu cum virgineo; Jesu nostra redemptio; Ecce panis angelorum; Omnes gentes+Etienne Moulinie: Flores apparuerunt+Henry Du Mont: Quae est ista+Guillaume Bouzignac: O mors ero mors+Antoine Boesset: Salve regina+Jean Millet: Ave verum
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