Maxim Brilinsky (violin), Stefan Neubauer (clarinet), Bartoz Sikorski (double bass), Johannes Piirto (piano)

Three Vienna-born composers and four elective Viennese performers come together in four challenging and deeply layered compositions that span 120 years of Viennese musical history. The significance and impact of the works, however, radiate far beyond Vienna itself. At the same time, the live recording also reflects a moment in contemporary history, as the concert, originally planned to take place before a live audience, eventually took place on 17 May, 2021 solely as a streaming event at Vienna's Arnold Schoenberg Center, due to the restrictions enforced by the COVID 19 pandemic. The title of this recording, Viennese Transfigurations, is ambiguous. Three pieces are arrangements of earlier compositions for a quartet with the rather unusual line-up of violin, piano, clarinet and double bass, while the other was written for a trio of clarinet, violin and piano. Two arrangements are by the composers themselves, and two are by violinist Maxim BriIinsky. Each of the works has the faciIity to arouse the curiosity of the listeners right from the beginning, and all end softly.

• Berg: Adagio for violin, clarinet and piano
• Berg: Violin Concerto 'To the Memory of an Angel' (1935)
• Wally: Transfigurations
• Zemlinsky: Incidental Music to Shakespeare's 'Cymbeline'