There is much to admire in Katharina Rosenberger’s music. She brings, always, a fresh or newly refreshed palette of instrumental sound. She creates structures that attract admiration for their improbable tensile strength – how does a piece like modules here – hold together? But this is not what makes the music special. Rosenberger does not invite us to sit and admire, and then, like the old composer (who is a real person, even though he remains anonymous) leave the room unmoved. Instead, she invites us in. She involves the listener. Brian Morton
Ακαδημίας 57, Αθήνα
ΤΚ 106 79
T. +30 210 3626137 - εσωτ.1
E. [email protected]
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