Manuel Blasco de Nebra (1750-1784) was a Spanish composer and virtuoso pianist whose keyboard music remains a hidden gem of the Classical era. Born in Seville, Blasco de Nebra was deeply influenced by the rich musical heritage of Spain, blending its lyrical and expressive traditions with the emerging classical styles of the late 18th century. His surviving piano works, though limited in number, show a combination of technical brilliance, harmonic sophistication, and emotional depth.

These compositions, primarily intended for harpsichord or fortepiano, consist of sonatas and Pastorellas. They are characterized by elegant melodic lines, intricate ornamentation, and an innovative use of texture that foreshadowed Romantic tendencies. Blasco de Nebra's music often features sudden dynamic contrasts, suspensions, and a poignant lyrical quality, reflecting the influence of Domenico Scarlatti and the Spanish folk tradition. The Sonatas are especially notable for their emotional range, moving seamlessly between introspection and exuberance. Meanwhile, the Pastorellas, with their pastoral character and light-hearted charm, offer a glimpse into his ability to create vivid and evocative atmospheres.

Although he passed away tragically young, Blasco de Nebra's work provides a valuable bridge between the Baroque and Classical eras, with a distinctively Spanish flavor. Played with intense concentration, eloquence and charm by Spanish pianist Pedro Piquero. Born in Seville in 1976, he received his musical training in Spain with Esteban Sanchez and in the United States with Caio Pagano. The pianist Maria Joao Pires invited him in in 2002 to reside in the Belgais Center for Arts in Portugal. He has won several awards, and the following has been written of him: (Melomano); (El Pais). Pedro Piquero is also a Soto Zen Buddhist monk, disciple of the Japanese Master Gudo Wafu Nishijima.