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Leonardo García-Alarcón's first major work, La Passione di Gesù, is a "canonical labyrinth in the form of an oratorio", a homage to counterpoint and to all composers who have made this art great, above all Johann Sebastian Bach. Inspired by the Gospel of Judas, it is a passion for our time that gives a special place to the figure of the apostle who betrayed Christ and the women who surrounded him. With his ensemble Cappella Mediterranea and a team of loyal and highly committed soloists, the Argentinian conductor invites us on an extraordinary journey in the form of a labyrinthine narrative - very much in the style of Jorge Luis Borges, another source of inspiration - that combines languages, styles and instruments, both modern and ancient, including, of course, the bandoneon: "The coded instructions that accompany the sung text are like riddles to be solved to help the listener find the way out of the labyrinth - or not," concludes Leonardo García-Alarcón.
Andreas Wolf, Mariana Flores, Ana Quintans, Julie Roset, Mark Milhofer, Victor Sicard, Choeur de Chambre de Namur, Cappella Mediterranea, Leonardo Garcia Alarcon
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