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Johannes Brahms: Hungarian Dances and the Hungarian Tradition
Adrienn Miksch, János Bándi, Ferenc Szecsődi, Szilvia Elek, István Kassai
Brahms had long been immersed in the folk traditions and spirit of Hungary’s musical repertoire, not least through the famous violinist Ede Reményi, for whom he played as piano accompanist. Brahms employed melodies that he had heard, as well as those based on sheet music, and in this album his Hungarian Dances are presented alongside their source material and variants, as well as some elements that Brahms omitted from his settings. Contextualised in this way, the heroic strength and dynamism, as well as the melancholy of the Dances can be heard as never before.
Miska Borzo (1800-1859), Mor Windt (fl.1850er - 1860er), Ede Remenyi (1828-1898), Nandor Merty (1820?-1889?), Elemer Szentirmay (1836-1908), Jozsi Csillag (fl. 1860er bis 1870er), Bela Keler (1820-1882), Miklos Konkoly-Thege (1842-1916), Ferenc Patikarus (1827-1870), Ignac Frank (1824-1897), Janos Travnyik (1816-1864), Ferenc Bunko (1813/1814-1889/1891) a.o.
- Bela Keler: Souvenir of Bartfa
+Beni Egressy: Fantasy; Hey, Hey, Hungarians
+Ede Remenyi: Allegro Ungharese; Friss
+Elemer Szentirmay: Sweet Secrets; Ten Pairs of Kisses All in One
+Ferenc Bunko: Nr. 3, 5 & 7 aus "13 Paloc Tunes from Karancsalja"
+Ferenc Patikarus: Souvenir of Barand
+Ignac Frank: Louise Csardas
+Janos Travnyik: Csardas from Mako
+Jozsef Szerdahelyi: Dance aus "The Horse Herdsman"
+Jozsi Czillag: Keglevich Song
+Karoly Patikarus: The Double Bass is Grumbling
+Laszlo Zimay: My Sweet Rose
+Miklos Kohnkoly-Thege: Eger Csardas
+Miska Borzo: The River Maros Flows Softly; Divine Csardas
+Mor Windt: Emma csardas
+Nandor Merty: Souvenir of Kalosca
+Traditional: People Say I am Too Young to Love; Wedding Dance from Tolna; Come, the Rush is Well Ripen; Starry Sky; I am Not in Love; Do Not Be Sad; Is There Anything in this Wine Jar; Hungarian Dance; Brown Lad
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