"I have composed a big sonata and variations for four hands, and the latter have met with a specially good reception here, but I do not entirely trust Hungarian taste, and I shall leave it to you and to the Viennese to decide their true merit" So wrote Franz Schubert in 1824, evoking the popular 19th-century genre for 4-hands piano that publishers were always pestering him to write for. In his brief life Schubert devoted 32 compositions to this form and the least of these pieces, be it a ländler, polonaise or march, radiates with all of his finesse and sensitivity. Three are incontestable masterpieces, in the same rank as his sonatas or quartets: the Variations D813, the Fantasie D 940 and the Rondo D 951. All three date from the composer’s final years, a period that gave birth to his most accomplished works.

In concert, Andreas Staier and Alexander Melnikov have played Bach’s 'Well-Tempered Clavier', with Staier at the harpsichord, alongside Shostakovich’s '24 Preludes and Fugues', with Melnikov at the piano. Sharing a keyboard evidently suits them just as well; their unique musical complicity bringing together four hands and two immense talents.

• Schubert: Fantasie in F minor for piano duet, D940
• Schubert: Four Ländler D814
• Schubert: March D819 No. 3
• Schubert: Polonaise, Op. 61 No. 1 D824, D minor
• Schubert: Rondo for piano duet in A major, D951
• Schubert: Variations in A flat major on a original theme, D813