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Melvyn Tan embraces three centuries keyboard style tracing the inspirations for Ravel’s ground-breaking works for piano. By exploring new pianistic territory, Ravel mirrored Scarlatti and Liszt in experimenting and expanding the possibilities of the keyboard, now setting it free in highly coloured, impressionistic washes of sound which evoke situations, landscapes and characters.
Liszt: Les cloches de Geneve (Annees de pelerinage I, S. 160 No. 9)
Liszt: Les jeux d'eaux a la Villa d'Este (Annees de pelerinage III, S. 163 No. 4)
Liszt: Transcendental Study, S139 No. 5 'Feux Follets'
Ravel: Alborada del gracioso (Miroirs No. 4)
Ravel: Miroirs, 5 pieces for piano
Ravel: La Vallee des Cloches (Miroirs No. 5)
Ravel: Noctuelles (Miroirs No. 1)
Ravel: Oiseaux tristes (Miroirs No. 2)
Ravel: Une barque sur l'ocean (Miroirs No. 3)
Ravel: Valses nobles et sentimentales
Scarlatti, D: Keyboard Sonata K119 in D major
Scarlatti, D: Keyboard Sonata K141 in D minor
Weber: Invitation to the Dance, Op. 65
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