Alina Wunderlin, Esther Valentin-Fieguth, Kieran Carrel, Konstantin Ingenpaß, Ulrich Eisenlohr
For Brahms, the folk songs were sources of musical inspiration, not subjects of academic study. The songs from Books 6 and 7 of German Folk Songs exemplify how Brahms' distinctive and expressive accompaniments gave these songs unique qualities, how he intensified certain verses to bring out their power, or how he allowed the piano its own revealing melodic phrases. In Book 7, the songs are divided between a precentor and a chorus, opening up new musical possibilities. In the Volkskinderlieder, Brahms' economy and skill turn lullabies into works of art.
Ακαδημίας 57, Αθήνα
ΤΚ 106 79
T. +30 210 3626137 - εσωτ.1
E. [email protected]
Login
Ελληνικά
English