Sarah Defrise (soprano), Craig White (piano)

Joseph Jongen is universally considered one of the major Belgian composers of the 20th century. The 150th anniversary of his birth, celebrated in 2023, is the occasion for the rediscovery of an oeuvre that remains, for the most part, oddly underrated. Following on Entrevisions (Musique en Wallonie, MEW 1993, 2019), this CD of Fetes rouges now concludes the first complete recording of his melodies (art songs) for voice and piano. The melodie genre occupies a special place within the chamber music repertoire. Numerous composers contemporary with Jongen, both male and female, tried their hand at it, but few succeeded in raising it to emblematic status to stand comparison with Faure, Debussy or indeed Ravel. In his letters and notebooks Jongen mentions his vocal works only briefly. But listening to the complete corpus of these works, and the stylistic evolution that becomes evident, reveals the enjoyment and obvious care which Jongen brought to each of these miniatures. Carrying on from Entrevisions, the double album of Fetes rouges offers a musical overview of the composer's various "periods": French romanticism, post-Wagnerism and Debussy-ism, and a Jongenian synthesis. Each CD focuses on one of his three great song cycles: opus 25 (Entrevisions, MEW 1993, 2019), here we have opus 29 and opus 57.

• 5 Melodies op. 25 "Les fetes rouges"; 2 Melodies de Victor Hugo; Sonnet; Calmes aux quais deserts op. 54; Que dans le cieux op. 45 Nr. 2; Barcarolle venitienne; Guitare; Les Cadrans op. 45 Nr. 1; Paquerette; Les Pauvres op. 64 Nr. 3; Vos yeux; Chanson "Pieds nus"; Chanson "Voici venir l'hirondelle"; Malheur a vous; Lys-Chrysanthemes op. 29 Nr. 1; Villanelle op. 29 Nr. 2; Tableau gothique op. 29 Nr. 3; Parfum exotique op. 29 Nr. 4; Quand ton sourire me surprit op. 29 Nr. 5; 2 Melodies de Sully Prudhomme; La Musique op. 135; Le Soir sur le steppe; Le Souhait de la violette