In his short life (1839–72) Eduard Adolf Tod garnered a reputation as one of the finest organists of the day: Liszt praised his playing, and he gave a recital in the Royal Albert Hall in the very year of its opening. Most of Tod’s handful of works for the organ – solo and as a duo partner – have not been recorded before. Here they are joined by three other little-known German organ sonatas – by Ludwig Thuille, Carl Reinecke and August Ritter – to give an overview of the genre as it evolved from its well-behaved Mendelssohnian origins into late-Romantic grandeur.
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