The London harpist Rosanna Rolton, winner of the International Competition "Suoni d'Arpa" 2014, shows her skills in a repertoire entirely dedicated to the Italian harpsichordists of the 18th century, rediscovering those ancient and solid bonds that have linked the repertoire for keyboard instruments with that of the harp. In the course of this connection, in which different aspects of musical production, from solo concerto to teaching, from basso continuo to vocal accompaniment, have constantly intersected, the anthology proposed by Rosanna Rolton proposes compositions that come from the master harpsichordists of the Neapolitan and Venetian schools, who created that musical substrate that, from the second half of the eighteenth century, formed the Italian "galant style," whose roots were greatly valorized during the chamber and symphonic renaissance of the early twentieth century.
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