“Beginning with a (live) spirited, fresh account of the Concerto – the slow movement is spellbinding – Katsaris follows this with 'Morgernstimmung' from the first Peer Gynt Suite. Although many of us will have the piano score, few will recall it being played in concert, a further example of this pianist’s omnivorous appetite for the unconventional and willingness to step outside the normal keyboard repertoire.” Gramophone
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